Weng Pixin's lineage is full of sorrow. Great-grandmother Kuan is sent away from her family in China to Singapore, grandmother Mei's mother allowed her to be adopted by a neighbor to help with the housework, Bing's father left the family home, while Pixin feels isolated from her mother. Through these generational traumas, fractured relationships are passed down from mother to daughter every generation. It all seemed sad to me. These ladies were miserable but tried to hide their feelings. I am not sure why but I wonder if this is a way for the Chinese to save face?
The artwork was drawn in colorful comic book panels. It was a little hard to tell the difference between the women given that they look alike. Weng Pixin changed the facial coloring and hair styles to distinguish them from one another. She used an interesting mixed media approach to the drawings by using poster paint, oil pastels and watercolors. The style of the drawings is simple, almost childlike.
My main takeaway from the book is that the way in which each of us handle adversity comes from imitating the way our elders handled it. This is a depressing thought because it seems that we are all doomed to repeat mistakes from the past. I liked that the last nine pages were of butterflies ready for flight. Perhaps there is a silver lining in every family's story.
3 out of 5 stars.
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