A History of Modern Manga

A History of Modern Manga details the 71 year history of manga in Japan. Thanks to its double page spreads, it can be read in three different ways. If you read only the even numbered pages, you can follow the evolution of manga over seven decades. If you read only the odd numbered pages, you will find portraits of more than seventy artists who have made their mark on the history of Japanese comics. A third way to read this book is the traditional way where you can immerse yourself in the socioeconomic and cultural context of every year from 1952 through 2022. 

How did manga emerge? Amid reconstruction after World War II, Japan saw the emergence of modern manga, which quickly became a favorite pastime of its citizens. Over the decades, the art form bore witness to the anxieties and dreams of several generations of Japanese citizens, reflecting both dark and joyful experiences. Manga is also linked to the social, economic, political, and cultural evolution of Japan. Essential to the daily lives of its inhabitants and to its economy, manga is one of the drivers of the international development of one of the world’s largest economies. 

After I attempted to read the book in the traditional way, page by page, I got bogged down in all of the details, remembering nothing. I went back to the beginning and read the book via its even numbered pages and later via its odd numbered pages. This is really the only way to absorb all of the information in the book. 

I found the Glossary at the beginning of the book helpful. Thirty words are translated from Japanese into English. A few of them are josei, manga for adult women, and shojo, manga for female teens aged twelve to eighteen. A partial history of Japan follows the Glossary before delving into the subject matter of the book.

The book is hardcover with color on each page. It would make a lovely coffee table book that guests in your home will want to take a look at every time they visit. I enjoyed reading it but note that it is probably best to read it in small doses because of it's comprehensive nature. 

5 out of 5 stars.

Yellow

Yellow is the latest installment in a series by Michel Pastoureau on the history of colors. Previously he has written about red, blue, black and green. The book was a bear to get through. It has been written like a textbook, quite scholarly. My interest in the book was peaked because I am an artist. However, when I bought it it was wrapped in plastic so I was unable to preview its pages. Had I seen how difficult it is to read I would have passed it up. That said, reading each section several times was helpful. I was able to remember many facts about my favorite color.

The book is divided into three sections. We initially have a section devoted to yellow's usage as a beneficial color, i.e., from ancient times to the fifth century. Next we see it as an ambiguous color, or it's usage between the sixth and fifteenth century. Finally, the color is seen as an unpopular one which is how it has been viewed from the fourteenth to the twenty first century.

As a beneficial color we read which plants or metals were used to create the color as well as how it was used in early cave drawings and clothing. Yellow was seen in nature in fields of grain and from the sun. Dressing in yellow was seen as feminine as it still is today. As an ambiguous color, yellow was seen as an important color when it was seen as gold. When yellow was shown as an ordinary yellow, its importance in heraldry and religious texts was much lower than red, blue or green. However, blond hair was always viewed as more favorable than other hair colors, especially on women. The section on yellow as an unpopular color states that the color was never used on clothing by the nobility because it was viewed as not being very modest. Artists viewed it negatively too. While in a bright light yellow is a happy color. When the light becomes dark, it no longer looks pleasant but rather dirty and ugly. Thus, the color ceased to be used in daily life. 

The book is a fine treatise but it is not for the light hearted reader. Obviously, someone interested in art history should read this book. It would be helpful for artists too but I believe there are other books on color that would be more helpful for the studio artist. 

3 out of 5 stars.