The book is divided into three sections. We initially have a section devoted to yellow's usage as a beneficial color, i.e., from ancient times to the fifth century. Next we see it as an ambiguous color, or it's usage between the sixth and fifteenth century. Finally, the color is seen as an unpopular one which is how it has been viewed from the fourteenth to the twenty first century.
As a beneficial color we read which plants or metals were used to create the color as well as how it was used in early cave drawings and clothing. Yellow was seen in nature in fields of grain and from the sun. Dressing in yellow was seen as feminine as it still is today. As an ambiguous color, yellow was seen as an important color when it was seen as gold. When yellow was shown as an ordinary yellow, its importance in heraldry and religious texts was much lower than red, blue or green. However, blond hair was always viewed as more favorable than other hair colors, especially on women. The section on yellow as an unpopular color states that the color was never used on clothing by the nobility because it was viewed as not being very modest. Artists viewed it negatively too. While in a bright light yellow is a happy color. When the light becomes dark, it no longer looks pleasant but rather dirty and ugly. Thus, the color ceased to be used in daily life.
The book is a fine treatise but it is not for the light hearted reader. Obviously, someone interested in art history should read this book. It would be helpful for artists too but I believe there are other books on color that would be more helpful for the studio artist.
3 out of 5 stars.
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