Filmish: A Graphic Journey Through Film offers the reader a history of the film industry. Drawn in black and white comic panels, author Edward Ross teaches readers about the biases that are built in to the movies that we watch. He focuses on seven aspects of filmmaking. They are the eye, the body, sets and architecture, voice and language, time, ideology, and technology and a separate chapter addresses each of these topics. The information he gives is beefy enough to be a textbook on films. The words and writing style that he used are also typical of a textbook. I certainly see it this way. Knowing nothing about movies before reading Filmish, I have come away with a long list of movies that I need to watch in order to see more clearly what Ross is talking about in each chapter.
Book reviews of mysteries, historical fiction and graphic novels with a smattering of non-fiction books.
Saturday, September 5, 2020
Filmish
Filmish: A Graphic Journey Through Film offers the reader a history of the film industry. Drawn in black and white comic panels, author Edward Ross teaches readers about the biases that are built in to the movies that we watch. He focuses on seven aspects of filmmaking. They are the eye, the body, sets and architecture, voice and language, time, ideology, and technology and a separate chapter addresses each of these topics. The information he gives is beefy enough to be a textbook on films. The words and writing style that he used are also typical of a textbook. I certainly see it this way. Knowing nothing about movies before reading Filmish, I have come away with a long list of movies that I need to watch in order to see more clearly what Ross is talking about in each chapter.
Friday, August 28, 2020
Stepping Stones
I felt sorry for Jen. She seemed to be used as a work horse. She was also mistreated by Walter who wouldn't even call her by her correct name. His daughters likewise mistreated her, calling her names and ridiculing her country clothes. Over the summer they became friends though. The author's note at the conclusion of the book acknowledges that Jen is really Lucy Knisley who grew up on her mother's farm. I wondered about this when I began reading because the drawings of Jen are the same as drawings of Lucy in earlier books.
The artistry was a little different than prior graphic novels by Knisley. The introduction to all of the chapters was done with a kid's handwriting on those old composition book pages. It didn't work for me but since Jen was a child, this approach matched the story. The remainder of the drawings were consistent with the author's style, colorful panels drawn in a primitive fashion.
4 out of 5 stars.
Sunday, August 23, 2020
Drawing the Vote
The artwork was done by Kati Lacker. She primarily used blue tones in her drawings but there are also red drawings. Is there a red, white and blue theme here? Drawing the Vote is her first graphic novel.
The book is well suited for younger readers. It gives the history of a topic that is current in our politics in a way that is easy to understand. Adults would likewise benefit. It offers a reminder of what has gone past and why we are still stuck in very muddy ground. 5 out of 5 stars.
Thursday, August 20, 2020
I Will Judge You by Your Bookshelf
Saturday, June 13, 2020
Windows on the World
Tuesday, December 17, 2019
Arab of the Future - 4
As with the earlier books in the series, the color scheme of the artwork changes depending on where the family is located. When they are in France, the drawings are done in blue. When they are in Syria, the drawings are done in pink. This book includes for the first time some red colored scenes when there is trouble brewing for Riad. This could be either dealing with bullying at school or while playing.
This installment of the series was a lot longer than the earlier books. I was delighted to spend an entire evening engrossed in this fabulous story. The only sad part is that I now have to wait for the next installment of the series to be published.
Monday, October 21, 2019
Trauma is Really Strange
The stated goal of the book is to be a non-scary introduction to trauma. However, I found it either nutty or very scary. Trauma is defined as something that happens to every person. I disagree. The author states that how a person reacts to it depends on how they reacted to the stress of their birth. "It can be a struggle, imprints of fighting, being stuck, disappearing or not getting the right help..." Disassociation is the biggest problem from trauma but since the author provided many examples of trauma that would end up causing dissociation, it seemed like it was the most common problem from trauma. Again, I disagreed with his assessment and later wondered whether I just was unqualified to have this opinion. Perhaps the book was written for his profession, not the general public.
I googled the author and discovered that he is a chiropractor in Britain. I was shocked. He makes statements in the book that should only be made by a psychiatrist or a psychologist. He is not qualified to write a book on the psychology of trauma.
Another problem that I had with the book had to do with the author's acceptance of evolution. He referred several times to the reptilian part of our brain which is the oldest part of the brain. The brain stem, which controls our instinct, is the reptilian brain. The human brain is the neocortex part of the brain. I completely reject this idea that humans do not have a totally human brain.
When I bought the book I was surprised that it was so short. I hoped that it would at least be informative. It was anything but informative. I am disappointed with it and rate it -10.