May 1483: The Tower of London. When King Edward IV dies and Lady Elysabeth Scrope delivers her young godson, Edward V, into the Tower of London to prepare for his coronation, she is engulfed in political turmoil. Within months, the prince and his brother have disappeared, Richard III is declared king, and Elysabeth’s sister Margaret Beaufort conspires with her son Henry Tudor to invade England and claim the throne.
Desperate to protect her godson, Elysabeth battles the intrigue, betrayal and power of the last medieval court, defying her Yorkist husband and her Lancastrian sister under her godmother’s sacred oath to keep Prince Edward safe. Bound by blood and rent by honour, Elysabeth is torn between the crown and her family, knowing that if her loyalty is questioned, she is in peril of losing everything—including her life.
Were the princes murdered by their uncle, Richard III? Did Margaret Beaufort mastermind their disappearance to usher in the Tudor dynasty? Or did the young boys vanish for their own safety? Of anyone at the royal court, Elysabeth has the most to lose–and the most to gain–by keeping secret the fate of the Princes in the Tower.
I relished reading this story. I knew that I would love it so I read slowly to savor each paragraph. There was alot of plot movement in each paragraph which made the book a fast read. The Afterward explains how the author decided to write about these characters. Our Elysabeth Scope is one of the author's ancestors. Elysabeth's maiden name was St. John and our author performed extensive research not only genealogical but also historical about her ancestors. She gives the reader an alternative interpretation as to what happened to those two princes. No one really knows what happened to them so the ideas presented in the novel are plausible.
Because of her family connection to the characters, Elizabeth St. John presented them in a personal way. Family drama is exposed up front and close, especially with Elysabeth Scope's half-sister Margaret Beaufort. If you know Margaret's history, you know that she lived every day maneuvering around the changing politics of her day so that she and her son, Henry Tudor, come out on top. I see this novel not as historical fiction, which it is, but more so with family drama as the genre. I don't know if family drama can be a genre but the novel shows us one big dysfunctional family where every family member has their own desires and will manipulate every other family member for supremacy.
So what is the godmother's secret? Read the book and find out. 5 out of 5 stars.