We Hereby Refuse

We Hereby Refuse is a graphic novel about the internment of Japanese Americans during WWII. After the Japanese bombing of Pearl Harbor, tens of thousands of Americans of Japanese descent were rounded up and placed in detention camps around the US. They lost their jobs, their businesses, and even their homes, not because of any crimes committed, but simply for their ethnic roots. Three characters are featured in the book. Jim Akutsu, Hiroshi Kashiwagi and Mitsuye Endo each embody a typical Japanese American experience during this time period.

Mitsuye Endo was a 21-year-old typist who lost her job with the State of California when she was ordered to report to the internment camp. A lawyer asked her to sue the government for causing her job loss. He recruited her because she seemed the ideal candidate at a time when everyone was scared of Japan. She did not speak Japanese and didn’t follow a Japanese religion like Buddhism or Shinto so didn’t believe that she could be threatening in any way. She even had a brother serving in the US army and she had also done everything the government had ordered her to. Her case eventually was heard by the U. S. Supreme Court, where she won.

Jim Akutso, who repeatedly tried to sign up for the Army but was refused because of flat feet. After he was imprisoned in a detention camp he was found out he’d been drafted, but now he refused. His reasoning was that if his country wasn’t willing to let him live freely, then he wasn’t going to fight to protest the freedoms he didn’t even have. He was convicted of dodging the draft and moved from the camp to a regular prison where he was given a sentence that extended past the end of the war.

Twenty yesr old Hiroshi Kashiwagi was waiting for his younger brother to graduate from high school so they could go to college together. Hiroshi was helping his parents on their fruit farm when the internment order came. He immediately registered for the draft but was soon dismayed to find out that the army changed his classification to IV-C, the category for enemy aliens. When army recruiters arrived at the Tule Lake Camp with a questionnaire to be completed, Hiroshi refused to agree to be drafted because of one question that required him to foreswear allegiance to Japan. He never had any allegiance to Japan and believed that to agree made him a criminal. He could be deported though for not completing the form. Hiroshi organized several resistance efforts at Tule Lake.

The graphic novel format helped to tell this story in an engaging and easy to read way. It immediately drew me into the dilemmas that these three characters faced. Chapters alternated between each of the characters and the illustration style was different for each of them, which helped me to follow the subplots easier. 

We Hereby Refuse is essential reading. Each of us should be familiar with this part of American history. 5 out of 5 stars. 

We Are Not Strangers

We Are Not Strangers was inspired by a true story. The plot of this graphic novel follows a Jewish immigrant’s efforts to help his Japanese neighbors while they are interned during World War II. I had never before heard about anyone ever trying to help the Japanese and am amazed, and thrilled, that someone was brave enough to help out. Author Josh Tuininga is the real life Marco Calvo in the story and his grandfather, nicknamed Papoo, is the hero.

The publisher's summary:

Marco Calvo always knew his grandfather, affectionately called Papoo, was a good man. After all, he was named for him. A first-generation Jewish immigrant, Papoo was hardworking, smart, and caring. When Papoo peacefully passes away, Marco expects the funeral to be simple. However, he is caught off guard by something unusual. Among his close family and friends are mourners he doesn’t recognize—Japanese American families—and no one is quite sure who they are or why they are at the service. How did these strangers know his grandfather so well?

Set in the multicultural Central District of Seattle during World War II and inspired by author Josh Tuininga’s family experiences, We Are Not Strangers explores a unique situation of Japanese and Jewish Americans living side by side in a country at war. Following Papoo’s perspective, we learn of his life as a Sephardic Jewish immigrant and his friendship with Sam Akiyama, a Japanese man whose life is upended by Executive Order 9066, which authorized the incarceration of nearly all Japanese Americans and residents of Japanese ancestry. Determined to keep Sam’s business afloat while he and his family are unjustly imprisoned, he and Papoo create a plan that will change the Akiyama’s lives forever.

The book is a page turner. It is well written, researched, and illustrated. The story opens with Papoo's 1987 funer­al in the Sephardic Bikur Holim Syn­a­gogue, where his grand­son is sur­prised by the pres­ence of sev­er­al Japan­ese Amer­i­can guests. Sub­se­quent chap­ters each begin with dates rang­ing from 1938 to 1945. Read­ers who are unfa­mil­iar with the dis­tinc­tive his­to­ry of Sephardic immi­grants to Amer­i­ca will learn how they were mar­gin­al­ized. Mar­co even­tu­al­ly devel­ops a suc­cess­ful busi­ness career while Sam Akiya­ma opens a fish mar­ket. Both have had to deal with prej­u­dice. Although Mar­co and his fam­i­ly are out­siders in terms of their reli­gion, cul­ture, and lan­guage, they are safe. The Akiya­ma fam­i­ly, on the oth­er hand, is forced to leave their home, busi­ness, and com­mu­ni­ty because of unfound­ed fears about Japan­ese Amer­i­can disloyalty. At the same time, the Cal­vo fam­i­ly is ter­ri­fied about the fate of Europe’s Jews, which ulti­mate­ly con­tributes to Marco’s con­vic­tion that he must help oth­ers fac­ing oppres­sion.

Archival family photos helped Tuininga draw the faces for his characters and visits to Seattle were crucial in re-creating the locations that he drew. A few key scenes between Papoo and his friend Sam Akiyama take place at the waterfront, where the two men companionably fish by the pier. It’s a nod to the real-life Marco Calvo, who owned the Ferry Dock Tavern in the Colman Dock ferry terminal building (a business also depicted in the book).

5 out of 5 stars.

Berlin

Jason Lutes' historical graphic novel Berlin is a masterpiece. It tells the story of the fall of the Weimar Republic and the rise of the Nazi Party during the years 1928 through 1933. It was originally serialized in 22 issues over 2 decades but it was published in one volume by Canadian publisher Drawn and Quarterly in September, 2018.

The story opens with Marthe Muller arriving in Berlin on a train where she has met Berlin journalist Kurt Severing. Muller has come to Berlin to take art classes and is mourning the loss of her brother in World War 1. Many of the scenes in the book show both of them throughout their days with the people they meet and live with. The Braun family is also prominent. They are a working class family struggling to make ends meet. Another family prominent in the book is a Jewish family adapting to the political environment.

The city of Berlin is actually the protagonist of the story. Both its luxuriousness and poverty are shown. The author has scenes depicting lavish salons, severely disabled homeless veterans, automobiles for the rich, crumbling buildings, and elaborate train stations. He also uses characters to show that it was a city of intellectualism with a loose sexual culture before it fell into decline.

While the main characters are interesting, there are many secondary characters that tell a major part of the city's story. Some of them you may only see in one scene but they reflect the views of people in a changing society who don't really care for change whether it be political or technological. Other secondary characters are members of political groups fighting for change.

The artwork consists of intricately detailed black and white drawings set in a traditional comic book page spread. Every couple of pages there is a full page drawing so detailed that I think it could be colored in with watercolors in the same way that urban sketchers work. Even the drawings without dialogue say a lot because the faces within them are so expressive.

Berlin is truly a masterpiece. It is an epic historical novel in 575 pages. I highly recommend it.