Nancy Bilyeau's The Fugitive Colours is the sequel to her 2018 novel The Blue. If you read The Blue you know that the main character is Genevieve Planche. After fleeing England for France, she met and married Thomas Sturbridge. Six years later they are back in Spitalfields for this installment of the series. It is 1764 and since men control the arts, sciences, politics and law, Genevieve is struggling to keep her silk design business afloat. Both Thomas and Genevieve are Huguenots, Protestants from Catholic France, which further makes them suspicious in the eyes of their associates in England. When Genevieve receives a surprise visit from an important artist, she begins to hope that, as a woman, she can be accepted as an artist. However, she soon learns that portrait painters have the world at their feet. Rivalries among them lead to sabotage, blackmail and murder and Genevieve gets caught up in their antics. Because she fears being exposed for her conspiracy and betrayal at the Derby Porcelain Factory several years back. The Blue novel is about that betrayal.
I LOVED this novel. While it is a sequel, new readers should be able to follow the book easily. I would recommend though, that you read The Blue first, mainly because the characters are so strong and the plot picks up right where The Blue left off. This sequel is just as strong as The Blue, something that does not always happen with a series. There is alot of history in the story as Genevieve interacts with artists such as Joshua Reynolds, George Romney, and Thomas Gainsborough.
The setting descriptions were expertly written into the story. I could feel that I was living in eighteenth century England. Crime and attitudes toward women in the trades were a consistent theme. The problems of women artists was depicted as well. The author also gives us insight into how well courtesans worked together to both seduce and rob their clients. I found it amusing that prostitutes could have that much power. For artists though, competition was high and most of them were overworked and miserable.
All of the characters were memorable, from Genevieve to the famous artists and the secondary characters. I cannot help but love Genevieve. She is a headstrong woman intent on getting recognition in her profession. This is something that I can easily relate to as I came of age during the 1970s when women were just beginning to enter the workforce. Her husband is a high moralist but falters easily as most of these kinds of people do. He does not work in Spitalfields or London as he teaches one of the sons of the Earl of Sandwich and is not part of much of the action. His presence in Genevieve's life controls how she behaves though. Genevieve employs two artists to help her create silk embroidery designs. Caroline is known to have a dark past but we don't really know what that is about until the end of the book. Jean loves politics and supports Genevieve 100% in everything she wants to do. He is quite likable, much more than Caroline.
As far as what the fugitive colors are, I cannot say without giving out too many spoilers. This novel is definitely a must read. 5 out of 5 stars!