The Giant

I have been patiently waiting for Laura Morelli to publish another book since The Painter's Apprentice came out. Last week The Giant was published. It takes place in the early 1500s Florence and is about the lives of struggling fresco painter Jacopo Torni and his childhood friend Michelangelo Buonarotti. They are competing to be awarded a commission to create a sculpture out of a huge block of marble that has been lying in the courtyard of the Cathedral of Santa Maria del Fiore for a generation.

The publisher's summary:

"As a colossal statue takes shape in Renaissance Florence, the lives of a master sculptor and a struggling painter become stunningly intertwined. Fresco painter Jacopo Torni longs to make his mark in the world. But while his peers enjoy prestigious commissions, his meager painting jobs are all earmarked to pay down gambling debts. When Jacopo hears of a competition to create Florence's greatest sculpture, he pins all his hopes on a collaboration with boyhood companion, Michelangelo Buonarroti. But will the frustrated artist ever emerge from the shadow of his singularly gifted friend? Based on a true story."

Renaissance Florence is my favorite type of historical novel. I don't think that I have ever read one that I did not like.  The Giant is no exception. Author Morelli has written a novel rich in the artistry and architecture of Florence. As an artist myself, I am drawn to arty books. Morelli's take on the story is more realistic than that of other authors whom I have read given her descriptions of the setting, including the clothing, food, artisan guilds, and politics of the era that drove which artist was going to be favored by whoever was in power at the time.  I am certain that the author's Ph.D in art history helped her create a plot about the creation of Michelangelo's David. A statement from the author shows how her thought process about the sculpture moved her to ask questions that she could only answer with an intricate plot. She was fascinated with how it was made and unveiled to the public. After coming across a historical reference to Florentine fresco painter Jacopo Torni, Morelli decided to tell the story through his eyes. Torni, also known as L'Indaco, assisted Michelangelo with painting the Sistine Chapel.

The story is told through compelling characters. Jacopo's long-suffering sister Lucia and younger brother Francesco are loyal to him no matter what he does to not deserve it. His gambling buddies' ways to entangle him in card games seems authentic to the methods used today by those who ensnare others in addictions. Jacopo himself is shown as someone who gambles his life savings away almost daily in an effort to prove to himself that he is not a worthy artist nor a worthy person.

I absolutely loved The Giant and relished each page as I read through it.  5 out of 5 stars!