Drawn to Berlin is Ali Fitzgerald's memoir of teaching comic workshops in refugee shelters in Germany during 2015 and 2016. She is an American living in Berlin and many of the refugees are from Syria. They have come to Europe in huge numbers seeking asylum. The story takes place at The Bubble, a refugee center in northern Berlin.
The refugees featured in the book surprisingly did not draw violent images from their former lives in Syria. Instead they chose friendly subjects such as flowers and ships. Her discussions with them were different, though. They were painfully sad. All had left loved ones behind and could not get in touch with them. Without the right papers, the German government will not allow them to obtain housing or jobs so they were stuck in the shelters unable to move forward for months or even years. While the Germans were welcoming initially, nationalism begins to rise in response to their fear of losing their culture.
The story is told in black and white drawings. They are not done in a style that I like but the since the story had depth it didn't bother me that much.
The historical connection between today and immigrants from 100 years ago as well as between Germany today and a century ago was interesting. A century ago Jewish refugees from pogroms in Russia came to Germany and had trouble getting settled. Also, a font that the Nazis used when writing their propaganda, called fraktur, had a renaissance after the Syrian refugees arrived. This font was never supposed to be used again after the end of World War II but nationalism has caused it to reappear. The author discussed several other connections between the present and the past that were fascinating.
Drawn to Berlin tells an important story in history. While I had read news stories about these refugees in Germany, I never read anything from the refugees' perspective. The author did a great job of presenting their story.
The refugees featured in the book surprisingly did not draw violent images from their former lives in Syria. Instead they chose friendly subjects such as flowers and ships. Her discussions with them were different, though. They were painfully sad. All had left loved ones behind and could not get in touch with them. Without the right papers, the German government will not allow them to obtain housing or jobs so they were stuck in the shelters unable to move forward for months or even years. While the Germans were welcoming initially, nationalism begins to rise in response to their fear of losing their culture.
The story is told in black and white drawings. They are not done in a style that I like but the since the story had depth it didn't bother me that much.
The historical connection between today and immigrants from 100 years ago as well as between Germany today and a century ago was interesting. A century ago Jewish refugees from pogroms in Russia came to Germany and had trouble getting settled. Also, a font that the Nazis used when writing their propaganda, called fraktur, had a renaissance after the Syrian refugees arrived. This font was never supposed to be used again after the end of World War II but nationalism has caused it to reappear. The author discussed several other connections between the present and the past that were fascinating.
Drawn to Berlin tells an important story in history. While I had read news stories about these refugees in Germany, I never read anything from the refugees' perspective. The author did a great job of presenting their story.
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