India, 1922: Perveen Mistry, the only female lawyer in Bombay, has secured her biggest client yet: Champa Films, a movie studio run by director Subhas Ghoshal and his wife, Rochana, the biggest name in Indian cinema. In the public eye, Rochana is notorious for her beauty and her daring stunts—behind the scenes, she has recently left the studio in Calcutta that made her famous, and the studio owner is enraged by what he claims is a breach of contract. Rochana needs Perveen’s legal help to extricate Champa Films from the impending controversy.
To study Rochana’s glamorous world, Perveen attends a special screening and brings her film fanatic best friend, Alice Hobson-Jones. But in the aftermath of the event, one of the guests is found dead, and to make matters worse, Rochana has disappeared.
To protect her clients, Perveen begins to investigate the developing murder case, peeling back the glitz to reveal a salacious web of blackmail, deceit, and romantic affairs. For the first time in their friendship, Alice seems to be keeping a secret from Perveen. Is she hiding key information about the night of the murder? Will Perveen be able to detangle the truth from lies while protecting herself—and her closest friend?
This installment of the series was somewhat different than the earlier novels. In the past Perveen was investigating murders as a defense of her clients. In Star, Perveen was a witness because she attended the film preview and because she found the body. It was a nice twist that keeps the series fresh. However, she was still able to gather information for her investigation, although she had to ensure that the police did not know what she was up to. As a potential witness in a trial, or even the defendant, Perveen had to lay low. She hired a retired detective to help her with research into the movie companies, the censors and even her clients.
While I have always enjoyed the Indian setting, this particular novel sheds light on the beginnings of Bollywood. Up until the time of the story, 1922, the movies that were shown in India were primarily made in Britain and had British storylines. None of the movie companies were creating stories about the lives of the Indian people nor were the actors Indian. If a character was ethnic, a mixed race actor was hired and, in all cases, the names of the actors were changed to Indian names. Around 1922 several Indian owned movie companies sprang up. They told Indian stories and used Indian actors.
The pace was pretty quick, although the murder didn't occur until page 100 (out of 415). Perveen is a brilliant amateur sleuth. She relies on her law school education and work experience to help her create lists, in her mind that is, on how to approach each investigation in a rational manner. She pretty much knows what information she needs to obtain, in what order to obtain it and the names of those people who might have the information. Perveen thinks analytically as a lawyer would think. When she gets into trouble her father is a great resource. With twenty five years experience as a lawyer himself, he has the gravitas to know how best to handle unexpected challenges.
Perveen has a romantic interest in another character. The romance cannot go anywhere because she is still married to Cyrus Sodawilla and is not eligible for a divorce. Perveen is skating on thin ice in her liaisons with him but as a twenty-six year old woman she cannot turn her passion off. To make matters worse, her best friend's parents, the Hobson-Jones, are trying to marry him off to their daughter Alice. Of course, Alice isn't interested in him because she prefers women.
To say anything more about the book would be a spoiler. Suffice it to say that The Star of Calcutta is a perfect cozy mystery. I am rating it 5 out of 5 stars.
No comments:
Post a Comment