Saturday, September 5, 2020

Filmish


Filmish:  A Graphic Journey Through Film offers the reader a history of the film industry.  Drawn in black and white comic panels, author Edward Ross teaches readers about the biases that are built in to the movies that we watch.  He focuses on seven aspects of filmmaking. They are the eye, the body, sets and architecture, voice and language, time, ideology, and technology and a separate chapter addresses each of these topics. The information he gives is beefy enough to be a textbook on films. The words and writing style that he used are also typical of a textbook. I certainly see it this way. Knowing nothing about movies before reading Filmish, I have come away with a long list of movies that I need to watch in order to see more clearly what Ross is talking about in each chapter. 

The first films were only a few seconds long and were created by putting several photographs together. The human eye will see movement where there is none and a new type of entertainment was born. Subsequent filmmakers improved upon this technique with new technologies. One aspect of filmmaking that has never changed is "male gaze." In the early days of the movies, producers purposely used storylines that could be enhanced with female subjects in situations that men like to watch. While several films have been made recently showing male muscle and nudity so that women could have "women gaze," the author states that men primarily watch these films to determine what women want from them. Nothing has changed here in a hundred years of making movies. One interesting fact about the use of sets is that heroes are shown in natural environments and villains are shown in stark, monochromatic environments. I never noticed this before and can't wait to watch a movie to see this for myself. Censorship is an issue covered at length in Filmish. The author writes that filmmakers will sign a contract with the Pentagon agreeing to only show the military in a positive light in exchange for the use of their machinery in a film. Producers see this as a way to save money as they can be assured of making an "approved" movie that will not be banned by theaters. 

I have learned so much about films from reading this book. I can't recommend it more highly. Anyone who loves movies as well as students who concentrate on studying filmmaking should read this book. 5 out of 5 stars.

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